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An Analysis of Coherence Principles of Composition The brief essay on this page, "Accounting for Taste," was written by James Gleick, former editor for the New York Times, lecturer at Princeton, and author of three books about how technology affects our lives.
Excerpts from his most recent book, Faster: The Acceleration of Just About Everything are available online.
Gleick has graciously given us permission to use his article in this Guide to Grammar and Writing. Using blank text blocks, we have divided Gleick's essay into several parts. We want you to analyze how the language above each blank is held together by the four mechanical devices for coherence: Click HERE to review those concepts.
If you would like to read Gleick's essay without being interrupted by the blank text blocks, click HERE. There are hyperlinks to several of James Gleick's essays on that page. The first bit of analysis has been done for you.
When you are done and not before, or your computer will turn into a toadstool!
H ello, James Gleick," said Amazon. What an impressive list! Not only does their software try to calculate your taste in music by keeping track of the music you buy, it even tries to work out your taste in music from your reading habits. This could be a parlor game: If you like E.
Consumer Reports and Crash Test Dummies? The basic idea is the same everywhere.
Say you favor turtlenecks, convertibles, nautical history, bebop, and zinfandel. In the jargon of the collaborative-filter game, these weird pals are your "community" and your "trusted associates.
The whole thing is just a mildly clever database look-up, but maybe it works, at least for some people and some kinds of taste. It only has the beginnings of what could become a formidable electronic dossier: At CDnow, for example, a customer can choose buttons for "I own this already" or "Not for me"; the computers, of course, watch and learn.
And these are computers, so the mistakes they make can look very, very stupid. When they go off the rails in a sensitive area like taste, some people get angry. The Four Seasons by A. As knowledge builds up, maybe the computers will stop recommending Vivaldi to Third Eye Blind fans.
Or maybe it will turn out that Vivaldi and Third Eye Blind have some kind of century-bridging affinity, even if no musicologist could say exactly what.
You might think of these growing databases as merchandising dossiers. Still, if we have learned anything, we know that information tends to get around.Open Document.
Below is a free excerpt of "Practice Language Analysis" from Anti Essays, your source for free research papers, essays, and term paper examples.
HOW TO WRITE A LANGUAGE ANALYSIS- THE MODEL Introduction 1. Outline what the issue is, giving background information.
2. Outline the ways the media has presented it (if available). English Grammar. Why is grammar important? As Jasper Fforde put it, “Ill-fitting grammar are like ill-fitting shoes. You can get used to it for a bit, but then one .
For example, if the author depicts people in the position of the victim, they will probably use colourful and emotive words, figurative language and an appropriate tone —warm, thoughtful, sentimental, poignant, indignant, reasonable and/or passionate.
Rhetorical Analysis Practice. Where to Find the Prompt; This prompt is available on the College Board’s website. It is one of three actual free-response questions used on the AP English Language and Composition test. Reflective practice is the ability to reflect on one's actions so as to engage in a process of continuous learning.
According to one definition it involves "paying critical attention to the practical values and theories which inform everyday actions, by examining practice reflectively and reflexively.